P+S Cooke Speed Panchros

No other lens has the beautiful and unique look of vintage Cooke Speed Panchros. They are known for how well they render faces, and for their painterly quality. These are the lenses responsible for the term "The Cooke Look." They are as sharp as you need a lens to be, but still very flattering. They have a gentle focus roll-off and are just a little warm. They have the perfect amount of barrel distortion and vignette. These are often the lens of choice for shooting close-ups of faces.

As seen in: The Witch, Carol, Whiplash

18/25/32/40/50/75/100mm T2.3

PL Mount

ARRI / Zeiss Ultra Primes

ARRI Ultra Primes provide exceptional image quality in a small, lightweight reliable housing. They are extremely sharp, high-contrast lenses, and they are very resistant to flaring and ghosts. They also have very smooth bokeh, especially wide open.

The lens are all T1.9 (f1.7), and the housings all have 95mm fonts, and matching placement for focus and iris gears. For projects where you need a sharp, clean look, and a small reliable housing, there are few better choices than Ultra Primes.

As Seen on: Lord of the Rings, Nomadland, and The Tree Of Life

16/25/32/50/85mm T1.9

PL Mount

KOWA Prominar Anamorphic

Kowa Prominar Anamorphic primes are some of the smallest, lightest anamorphic lenses available. These are the original 1970s Japanese lenses - despite their age they have smooth operation across the set and are color matched. They have a 2x squeeze factor, low contrast and rich warm colors. The lenses flare relatively easily and render smooth, creamy images with vintage characters.

As seen on: Moonlight and A Star Is Born

40/50/75mm T2.3-2.8

PL Mount

Fujinon 19-90mm T2.9

The Fujinon 19-90mm T2.9 Cabrio Premier (PL) is an ENG-style motorized zoom lens for high-end productions. It features film-industry standard 0.8 pitch gears for focus, zoom, and iris control. The luminous barrel markings provide visibility in dark shooting situations. The fast T2.9 aperture allows great low-light performance and subject/background separation.

  • Includes Servo hand unit

PL Mount

Laowa 12mm T2.9 Zero-D Cine Lens

The Laowa 12mm provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is lightweight and compact. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.

  • PL Mount Lens, T2.9 to T22 Aperture

  • 122° Angle of View, Low Distortion

  • Covers Full Frame/VistaVision/ALEXA LF

  • 7" Close Focus, 0.8 MOD Cine Gears

  • Carrying case

PL Mount

Laowa 24mm F14 - Probe Lens

This "cine-mod" version of the lens has integrated gears on both the aperture and focus rings. Great for 'moving through' objects and spaces. Very cool macro perspectives.

  • 2:1 Macro Infinity Focus

  • Full Frame Coverage

  • Waterproof barrel

  • Built-In LED Ring Light & Micro-USB Power cable

  • Carrying case

PL Mount

Sony Cinealta T2 MKII

The lenses have a consistent design with metal casings and an aperture of T2. A 9-blade iris delivers a beautiful bokeh (the out-of-focus area of an image) and the focus ring rotates 240°

25/35/50/85mm T2.0

PL Mount

E-Mount / EF Lenses & Adaptors

  •  Ziess Contax Primes: 18,28,35,50,85mm

  • Sony 16-35 G Master F2.8

  • Sony 24-70 G master F2.8 MKI

  • Sigma 16-35mm F1.8

  • Canon 24-105mm F4

  • Canon 100mm Macro F2.8

  • Canon 100-400mm F4-5.6

  • EF Mount to E Lens

  • E Mount to EF Lens

  • E Mount to PL Lens

  • EF Mount to PL Lens